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April 30, 2003

well i was a walking and rumbling one day

A bit of a break through today for Jenko and my duet....as well as the discovery that its due next week...

we decided to base everything on the irish giberish...starting with a little Ter-te-tee conversation...jenko wrote notes...maybe he could put them up?

then jenko taught me this lovely irish song, which adam and I subsequently work out a wee harmony for....it feels a little high for me at the moment....but we will have to test it out some more

here is the song

well i was a walking and rumbling one day
I spied a young couple so fondly did stray
one was a young maid so sweet and so fair
the other one was a soldier and a brave grenadaire

and they kissed so sweet and comfortin as they clung to each other
they went arm and arm down the road like sister and brother
they went arm and arm down the road till they came to a stream
and they sat down together to hear the nightingale sing

now we just need to rehearse...

April 29, 2003

Read Leather Yellow Leather

We had Louise today. Backberner Louise. Louise from Backberner.

So now we are working on the book read stuff. She talked for a while about how and why and where book reads are produced, detailing the environment, politics, yada yada that it all exists in.

Here are some quick notes

- I found it interesting that she advocates listening to yourself back, listening to your self through head phones
- Voice over work is really hard to get, you should work on putting together a killer CD of work, then take it around to various audio houses
- Book reads and stuff are very intimate, talk to the microphone, don't project through it...
- Directors shouldn't demonstrate how to read the piece for the performer
- Give them a clear thought that you want to be behind a particular piece of text
- know what every word means

anywho, the book read is due in 4 weeks...we need to find a new text...she advocates (gee i say 'advocates' alot) using a short story, so that it has a whole contained story. So Rendezvous with Rama is probably out the window.

Time to get out some short story books from the library...we are supposed to have decided by next week so we can practice them in class...i'll bring everything we have found so far...

On friday we are having a Lustig meeting...before then I have to email Jane my Lustig notes...

A New Beggining

Yes well...first subject back after the week break was doco, which had been losing my enthusiasm for some weeks...that said it was no where near as painful as my pesimistic brain had anticipated.

Simon went through various peoples proposals criticising and praising as he went. He didn't mention mine thankgoodness, as it is crap, but I think that he may have either not recieved it or not marked it as I handed it in a couple of days late.....

The new group that has assembled around Pete and Ben decided on dumping the chicken idea. the logistics were difficult but more importantly it risked trivialising an important issue...so we were a group without an idea. But I was just glad that I was in a reasonably sane group, and that I was no less confused that everyone else.

At this stage Sara(h?)'s UFO idea is the strongest although we need to sit down together and really work out what we want to do.

April 26, 2003

Slightly adapted Medea script

MEDEA

Outside Medea’s office in Corinth

Medea screams and yells and breaks things inside. Her Secretary leaves the office and quickly shuts the door behind him.

SECRETARY: If only they had never gone! If the Argo’s hull
Never had winged out through the grey-blue jaws of rock
And on towards Colchis! If that pine on Pelion’s slopes
Had never felt the axe, and fallen, to put oars
Into those heroes’ hands, who went at Pelias’ bidding
To fetch the Golden Fleece! Then neither would Medea,
My mistress, ever have set sail for the walled town
Of Iolcus, mad with love for Jason; nor would she,
When Pelias’ daughters, at her insistence, killed their father,
Have come with Jason and her children to live and work here
In Corinth; where, coming as an exile, she has earned
welcome; while to Jason she is all
Obedience

Waiting for lift

But now her world has turned to enmity, and wounds her
Where her affection’s deepest. Jason has betrayed
His own sons, and my mistress, for a royal bed,
For alliance with the king of Cornith. He has married
Glauce, Creon’s daughter.

In lift

Poor Medea! Scorned and shamed,
She raves, invoking every vow and solemn pledge
That Jason made her, and calls the gods as witnesses
What thanks she has received for her fidelity.

Outside building. Fumbling for a cigarette

She will not eat; she lies collapsed in agony,
Dissolving the long hours in tears. Since first she heard
Of Jason’s wickedness, she has not raised her eyes,
Or moved her cheek from the hard ground; and when her friends
Reason with her, she might be a rock or a wave of the sea,
For all she hears – unless, maybe, she turns away
Her lovely head, speaks to herself alone, and wails
Aloud for her dead father, her own land and home,
Which she betrayed and left, to come here with this man
Who now spurns and insults her. Poor Medea! Now
Uprooted from their native land. She hates her sons:
To see them is no pleasure to her.

Dropping cigarette and grinding it into the ground

I am afraid some dreadful purpose s forming in her mind. She is
A frightening woman; no one who makes an enemy
Of her will carry off an easy victory.

Tutor approaches from behind carrying suitcase.

TUTOR: Servant of my mistress’s house, tell me,
What are you doing, standing out here by the door,
All alone, talking to yourself, harping on trouble?
Eh? What does Medea say to being left alone?

The tutor walks inside and down the corridor setting a brisk pace, the secretary follows.

SECRETARY: Old friend, tutor of Jason’s sons, an honest slave
Suffers in his own heart the blow that strikes her mistress.
It was too much, I couldn’t bear it; I had to come
Out and tell my mistress’s wrongs to earth and heaven.

TUTOR: Poor woman! Has she not stopped crying yet?

SECRETARY: Stopped crying?
I envy you. Her grief’s just born – not yet half-grown.

TUTOR: Poor fool – though she’s my mistress and I shouldn’t
Say it –
She had better save her tears. She has not heard the worst.

The Secretary stops him.

SECRETARY: The worst? What now? Don’t keep it from me. What has happened?

Continuing walking

TUTOR: Why, why nothing’s happened. I’m sorry I said anything.

Stopping him again. Turning him to face him.

SECRETARY: Look – we’re both slaves together: don’t keep me in
The dark.
Is it so great a secret? I can hold my tongue.

TUTOR: (pulling him aside) I’d gone along to the benches where the old men play
At dice, next to the holy fountain of Peirene;
They thought I was not listening; and I heard one say
That Creon king of Corinth means to send her boys
Away from here – to banish them, and their mother too.
Whether the story’s true I don’t know. I hope not

SECRETARY: But surely Jason won’t stand by and see his sons
Banished, even if he has a quarrel with their mother?

TUTOR: Old love is ousted by new love. Jason’s no friend to this house.

SECRETARY: Then we’re lost, if we must add new trouble to old, before we’re rid of what we had already.

TUTOR: But listen: it’s no time to tell Medea this.
Keep quiet, say nothing about it.

Tutor walks off. Secretary follows.

Approaching Medea’s office

SECRETARY: What sort of father is Jason? My curse
On – No! No curse; he is my master. All the same,
He is guilty: he has betrayed those near and dear to him.

TUTOR: What man’s not guilty? It’s taken you a long time to learn
That everybody loves himself more than his neighbour.

Just outside Medea’s door.

SECRETARY: Keep your eye on the children. As long
As she’s in a dark mood; don’t let them go near her.
I’ve watched her watching them, her eye like a wild bull’s.
There’s something that she means to do; and I know this:
She’ll not relax her rage till it has found its victim.
God grant she strike her enemies and not her friends!

They enter the office

Sticker Club


Last night we went to chaddy, among other things, I finally achieved my dream of utilising the sticker club machine...

April 24, 2003

Wooster Group Review

I thought I'd better post something to get that awfull pic of me off the top of the page

April 22, 2003

Mushy brain and numb mouth

dentist250.jpg

I went to the dentist this morning. GOW! I've never understood the prevelant anti-dentist culture we live in. I like to think of going to the dentist as being just like a manicure, but for your mouth. I find it quite a privlidge.

In this busy, capitalist, 9 to 5, work centric, crazy crazy world of ours we should really relish any opportunity to lie back and have people service us.

Anyway, a couple of hours later and the local anesthetic is wearing off, so my mouth is de-numbifying. But this leads me to my next question - did one of you inject my brain with something while I had my eyes closed in Intergrated? Because I have MUSHY BRAIN, and its not wearing off...

All of this is a long winded set up of the following discussion:

THE BROTHER LUSTIG RADIO PLAY ADAPTATION

(in other news, some lady just rang me up from the bank about accidental death cover. If i'm dead, why do I need money?)

Anywho, I am finding this adaptation rather challenging. In my reading of both the brothers grimm version, and Adam's storyteller version, there is quite a richness of plot, however, my mushy brain is having trouble putting them together. I think because we're doing this as a radio play the drama or conflict needs to be largly interpersonal so that it can be delineated through dialogue. So one problem i have is the conversion of some plot devices into dialogue.

The second problem is finding the voices of these characters.

The third problem is consolidating the story into 15mins. How to lose some of the scenes without losing the set up of other scenes that they provide?

But I did have a go at writing the first scene....its just a little bit dodge though...and my mushy brain isn't helping.

I've been meaning to write out a whole great big story plan...but again mushy brain intervenes...

When it comes to pure thinking tasks, i really should just be able to sit here and do it.

April 19, 2003

Major project script

I've been having another look at the russian story Adam pointed me to which is incredibly like Brother Lustig. I still haven't read through all of it, and I really do need to start writing out a plan for the adaption based on both stories, but i really like how the magic sack is introduced in the first scene in this version. As they say in hollywood: "Set up early, pay off late".

Anyway, if you want to have a read....here it is.

Case study research

Another essay from Phillip Auslander pertaining to The Wooster Group. This one deals with the political aspect of their work in relation to how postmodern theatre can be political. I found the stuff about the problems of presence in political theatre interesting, and the descriptions of their decontstructive devices may proove usefull in my case study.

(am also having this little idea about a news reader who does the inverted comma thing with his fingers on every second word)

I have to now order that other wooster group book from the library. And does anyone know if you can get videos of Wooster Group work?

BTW, another Elizabeth LeCompte article at http://www.donshewey.com/theater_articles/wooster_route1&9.html







Book read assignment

On Friday, Jane, Jenko and I have the sound studio booked. We were going to experiment with brother lustig (which I had better write a scene for soon) but I was also hoping to have a go at a book read.

Here's what the unit guide says:

April 18, 2003

More Ter tees

Ter te-tee te-tee te-teh
ter te-tee te-fiddle dee day
ter te-tee te-teh te-Shaun
ter te-tee i'm a leprechaun

Ter te-tee te-tee te-teh
ter te-tee te-fiddle dee day
ter te-tee te-ow my arm
ter te-tee te-lucky charm!

April 17, 2003

Medea

I'm getting really excited about this idea i've just had for my Perspectives on Directing screen excercises.

I want to do a contemporary screen version of the first scene from Medea. But I want to set it in a corporate setting. Medea is a senior executive, the nurse is her secretary, and the tutor is an advisor of some sort. The more I think about it the more I love it! ArghhhhhhhhhhhH!!!!!!! (Mark screams like a girl and runs around the house with his eyebrows raised incredibly high)

I did Medea in year 12, so I feel like I know it pretty well, and the recontextualising of it into a corporate setting is just exploding in my mind. I'll write a summary of the story up here soon, if people want to do it.

I've got heaps of other ideas whirling around my head as we speak.

Doing it depends on only two, but nevertheless significant, things:

1) some sort of officy looking locations being available to shoot in (maybe the staff offices corridoor at uni could be one, but its a bit recognisable. Any ideas anyone?)
2) two lovely people who would be willing to learn some moderately dense lines and rehearse a little bit. Adam and Jenko, I know i foreshadowed using you for a 'little' something, but would this be too much work for you? It might be 4 or 5 hours spread out over the next 3 or 4 weeks. And is anyone else interested?

A while ago, Jenko and I vowed to do some work on some classical texts, just as a good learning experience. And we need all the directing experience we can get...this kills two birds with one stone.

And if we do it well, it could be a really killer showreel piece.

Here is the section I was thinking of. Just click the image to view.

Any comments Jenko, as my assistant director, or Adam, as someone who has expressed interest in doing my screen excercises, would be hugely appreciated.

April 16, 2003

Tam takes intergrated

Santha was away today, so Tam took our class. We did some quick breathing stuff, but what i really enjoyed was the little interesting rhythm and singing stuff. I really want to do a 3 over 4 thingy in our duet...

But I have to go to Chadstone now.

Get well soon Ren and/or Bianca if you are reading.

April 15, 2003

Doco proposal

Well, i wacked a doco proposal together, even though we aren't going to do it, but im starting to actually believe that it would be interesting. The topic:

Fluoridation!

People are really passionate about it. Fluoride has been in Melbourne water for over 25 years, but people are still fighting about it. The yanks seem to be very passionate...here is a US website dedicated to opposing it http://www.nofluoride.com/

It would be really good on the ABC. Jenko, anyone else, want to make it?

In other news, i secured a group with Ben and Pete, now we just need two more people and an idea.

April 14, 2003

Interview presentations

In sound and voice today we played our interviews for the class. Some we ok, some were really quite good. I was particularly impressed by Amy and company's interview with a correction officer. The talent was very articulate, but the questions were just so well targeted, not at all over the top, and the levels were pretty good. It could go to air on 774. A lot of people found it quite controversial and criticised the hell out of it, but i liked it.

On our interview. Our levels were wonderful, best in the class. Jenko sounded good. But, as Sian pointed out, and as we already kind of knew, the question order was a bit weird, and there wasn't a sense of it being heard for the first time. Also, the lead gave too much away. But, I thought it was still quite reasonable.

A Message from Deakin people

Ding Dong Merrily on High, and other such exclamations. Jenko and I have been repatreated for our month of pain. Today a letter and some sort of voucher action came from the division of student life regarding the video we made for o'week earlier this year. Click the image to have a look.

The voucher's weren't book vouchers as we had thought, but two tickets worth of movie cash. Guess what Jenko, we're going to the MOVIES! Whoo hooo.

Ofcourse we are still waiting on the $80 that we are owed to cover our production and vhs copy making costs. But, i find it a little hard to be worried about such things in the light of being able to go see a FILM! yes kids...very special...

April 13, 2003

Stuff to keep in mind for screen excercises.

This just in from Stephen Goddard.

Auslander Wooster essay

I thought that while I am scanning I might as well scan this essay that might be of later use in my case study on Elizabeth LeCompte. The book has been quite interesting, although this particular essay was a bit confusing, but i'll give it another read later on.

PS. Finished writing the bulk of the ICP essay, just need to spell check it and do a bibliography - its pretty shit. Now i just have to do my doco treatment.

< Click this image to read essay.

April 11, 2003

National Ren/Raz apreciation day

Well, today certainly was monologue day, and it certainly went rather well, i'm very happy. Ren, despite having woken up with a sore throat, absolutly knocked everyone's footware off. Can't thank her enough.

I won't go into a lengthy post mortem, but I was really pleased about the following things that the audience picked up on:

- The lecture or teacher quality in the bits outlining what they'd done to babies - Ren really hit apon the authoritivness in those bits, and got the teacher pen thing happening.

- The shift into awkwardness and deshievelment facilitated by the crawl under the table - particularly sitting on the ground infront of the table.

- And so happy that people got the irony of the fluffy animal toys and baby statue - the cutsie representations so removed from the things humanity is abusing.

Ter te- tee

A very very busy time at the moment...so just quick summary of last wednesday's intergrated.

Jenko and I are working together for the duet. He came up with a really interesting idea involving using giberish based on foreign languages...

the first thing we developed was this loop of irish gibberish.

Ter te-tee te-tee te-teh
Ter te-tee te-tee te-fiddle de day
Ter te-tee te-teh te-dan
Ter te-tee potato man

It took a little while to learn, but it sounds pretty good...now we need to play with it....my initial thoughts are maybe trying it in rounds....adding in other parts....doing that classic irish melody with it...

yep.....so i think we should work on it over the week break...

April 10, 2003

I hate uni rant

...that 3rd year sucks is begining to become aparent there are just so many little tiny stupid things most of which aren't enjoyable and those that are i barely have any time to work on like the monologue with ren great fun to work with her but it would have been great to have more time but instead i have to write 2000 on a non existant future by tomorrow which just isn't going to happen because we have to record an interview tonight for monday all while I am trying to learn my lines for james monologue before tomorrow and the bloody lift in building p is broken so i have to go the friken long way and even the weekend wont save me because then i'll have to finish this case study all while trying to do a doco treatment that i have no ideas for for a class that i seem to suck at someone shoot me please....

April 08, 2003

Drama spaces

For those of us drama people who may need to book spaces at burwood. Here is some interesting info from FirstClass

Final Monologue rehersal

Today was a very monologuey kind of day...

Between rehersing with James for his monologue that I am doing (which seems to be going quite well), I rehearsed with Ren for mine.

We started with an initial read through. Ren had learn't most of the lines which was great. I also introduced the table. Her first read through had a lot of the confusion and worry which was good, but to begin with it was all a bit on the same level.

We worked on over the top seriousness...and an extreme sense of her own cleverness...

My question approach started to go out the window...and i moved into saying things like "I think such and such an idea is critical"

I asked her to play with moving around the table at some point. This started to work, and she moved aroun and leant against the other side of the table. She mentioned that she was feeling like a teacher....and I pounced on that, saying that was what we were going for...

This was a pivotal moment. Ren/raz then started to use the text to work the room.

I had to go to a class. So I left ren to either have a break or work on stuff on her own. This was quite an acidental thing, but funnily enough may have been the best thing i did - leave the room.

When I returned Ren had developed some ideas which I was soon to be shown.

But first, i made the observation that when she was talking about using babies she still sounded very guilty about it, and she said that she did feel guilty saying those lines.

So I got her to describe to me how to make a recipe that she likes...which she did, in a really enthusiastic kind of way. I pointed out the things that she did with her hands, and voice as she was telling me how to make the recipe, and asked her to bring that to the disturbing text....

She did and it was a huge improovement. The middle section now had this huge energy which made the awkwardness and seriousness of the start and end work really well.

But the best bit was yet to come. Ren had devised this thing where she crawls under the table to pick up a pen. And it was amazing! it gave this whole other way to physicalise the text....well done Ren.

So i don't know quite how it happened....but its transformed into something really interesting.

I think, as a director, i became more comfortable in identifying problems...i just hope that i delt with only top level problems...and articulated my concerns clearly and didn't confuse her.

Anyway...very happy...HD for me.

April 07, 2003

Impending interview

All of a sudden we have to have an interview recorded in the studio by next monday. Yeah. So Jenko rang his friend Constable Kenny of the Vic Police, who kindly agreed to do it, but is only available nights, so we will have to organise after hours access with security and all this other annoying shit.

But in what is turning out to be quite an enjoyable class, with Sean Prior, we did practice interviews with each other. I interviewed Jenko as Roy. I did ok, but i missed some good opertunities by not listening fully, and I missed my back announce.

Shop keeper screening

Well, today in doco class, we along with many other young hopefulls, screened the docos that we have slaved over for the past few weeks.

Simon flamed them all. Particularly ours.

I didn't think ours was the worst, but it certainly wasn't the best, i'll admit that.

Simon's criticism included: The sound was crap, the vision shakey, the editing to fast, etc.

At one stage he asked did we shoot one whole customer's hair cut. We hadn't, but ben said we had, so then it looked like we were just to stupid to include interesting things in editing.

Yes, i didn't do any shooting, so it probably is a bit unfair to criticise. But all of the footage was very shakey, and nothing was held for more than 10secs. And consequentialy, editing was very difficult.

We have to have written a proposal for the major project by next monday for the pitching session, so I may end up in a new group...which I worry about because after seeing our Barber shop film, who will want to work with me?

And im so busy, who knows when i'll get a chance to write a proposal.

April 06, 2003

Doco Editing

Well, yesterday certainly was one very long day of editing, and our shopkeeper doco is still not yet finished...

...however, despite initially feeling quite worried about the possibility of anything resembling Cinema Verite coming from our 90mins of crap, after a while we did develop a strategy for creating meaning - building islands, then archipeligos just like that guy said in that movie.

Ben brings a really measured, reasoned, and most importantly realistic mind to the editing process, and while I usually prefer editing alone, I found his input very helpfull. John was ultra enthusiastic, and probably made us go futher than we otherwise would, but was a tad hypo. The rhythm of working soon started to form a patern. We'd go through each bit of footage.
John would say "Oh, lets put that in, we can juxtapose it with the shot of that ugly guy".
Me or ben would reply "What does it add to our identified themes?"
John: "its funny".
Ben: "not good enough"
Me: "NEXT!"
John: "Oh, lets put that in, we can juxtapose it with the shot of that ugly guy". Repeat x 9999999

They are coming back at midday and we will hopefully finish it off. I want to be done by 2pm so I can do all the other things I have to do today.

April 04, 2003

Encounter with the stationary police

A strange, oldish, stocky kind of lady came up to me today, while Jenko, Adam, Cam, and I were standing in the general mutant way area, minding our own buisness....

she said in a slow, patronising voice:

"Excuse me, but that is VERY dangerous!"

"Sorry?" I said.

"Your pen" she said, "its very dangerous. Someone could hurt their eye." I looked down at my biro sitting in the pocket of my bag. "I understand why you'd have a pen...but its VERY dangerous."

"I err, umm, gee, well, what, erghhhh, umm" I replied, not knowing what to say. She walked off.

It was only after the lady left that a possible come back came to me....

..."Who are you? The stationary police!??"

April 03, 2003

More choir songs

Intergrated Monologue out of the way

Well, yesterday we performed our monologues....
I was stressing out about relaxing and using my voice properly while at the same time worrying that i wasn't being simon enough...
...but when I got up everything that i had planned on focusing on just went out the window and I flew by the seat of my pants...
So, im really not sure how well i went...i don't think it was awfull in any case

Bianca, Jenko, Adam, and Ren/Raz, i thought yours were all very good....

Meanwhile my neck and jaw have been killing me for days....i could barely sleep last night it hurts so much....go figure....

Monologue rehersal 1

Oh no! I just type a whole huge entry and then accidently deleted it!!!!!!....arghhhhHH!!!!!!

well...for the second time...

Ren and I rehersed for my directing monologue yesterday, and it went pretty well - yes the fire evacuation and the kissing couples were a tad distracting - but a good rehersal none the less....

Directing is a tad harder than I thought. i found myself struggling to find helpful things to say. Ren's first read through was really quite good, and didn't have any glaring problems, so I think I have to now adjust my head to be aware of tiny little areas that can be fine tuned....but I really don't want to be a "put your right hand there" director...

ok, so here are some of the things we did, and some associated analysis...
(ren: perhaps best not to read this)

April 01, 2003

Tori News

This really isn't uni related, but look what I just saw on hereinmyhead.com

EXCLUSIVE!!! Sony Pictures (Hong Kong) today announces that songstress Tori Amos has been cast as the lead in their modern adaptation of the 1964 Walt Disney production, Mary Poppins! Read the Yahoo! Entertainment Press Release for details!

On tap to pen the screenplay is Moulin Rouge's wunderkind Baz Luhrmann. Luc Besson (THE FIFTH ELEMENT; THE MESSENGER), reknown for his jaw dropping visuals, is slated to direct. The film will also feature Emma Watson (HARRY POTTER AND THE CHAMBER OF SECRETS) and Daryl Sabara (SPY KIDS) as Jane and Michael Banks. The most oft named actor in the early running for the male lead is Ewan McGregor (MOULIN ROUGE), with Rupert Everett (MY BEST FRIEND'S WEDDING) close behind. A dark horse, Kenneth Branagh (HAMLET) closes up the shortlist as the unlikely but dashing male-lead, Bert. Filming has not yet been scheduled.

Doco Shoot

Today was the shoot for our shopkeeper profile for docoumentry. I got to the barber shop in mentone at 10, met Peter and Ben, gave them the tapes....then they started filming and I asked people in my most pathetic voice:

"Ah excuse me kind sir, we are students from deakin university, and as you may have noticed we are making a documentr. (cheesy smile) Would you mind signing this here release form? (cheesy smile) Thanking you!"

The location was really good. Its a really old style barber's shop. Has that old barber shop feel. Thankfully shooting seemed to be rather painless. And all but one customer signed our form.

However, I probably have no right to complain because I didn't do any shooting, but I've just been watching back the first tape, and the shots aren't held for very long, its kinda shakey, and the audio is pretty muddy. So hopefully the second tape is better, because it may be a tad difficult to edit....

Now, I work on my monologue....